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Of course some of the bafflements followed me into my room. The first was the brand new frying pan I bought yesterday. It just plain doesn't work on my dinky little ceramic burner. I think this is horribly unfair. When did you ever have to worry about a frying pan not working?! But beyond that, the frying pan even specifies that it can be used on ceramic burners. The burner, however, has other ideas. It seems to feel that there is nothing on it when I put the frying pan down, even though the frying pan is about twice as heavy as the horrid thin ratty little wok that came with the burner. Since the burner thinks nothing is on it, it won't heat up. Some stupid "safety feature." We're in China! Since when did they have safety features for god's sake. But there's no reasoning with it. And I seriously doubt it will be possible to return the frying pan. So I'm despairing of ever cooking anything here beyond a boiled egg or a bit of rice (which burns on the bottom because the pan is too thin). Argh!
I had been planning to have scrambled eggs for brunch, which I somehow or other managed to cook in the old wok, but they were not very good. I had tofu and greens for "tea" (or some such midafternoon meal), also not so great. But I did have this superb pomelo, the largest of all citrus fruits.
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Nothing much else to report except that I have abandoned Through the Looking Glass for a commercial recording of Jeremy Irons reading Lolita. Wow, Jeremy Irons is an amazing reader. He really GOT Humbert to a T. Listening to him read the book makes me realize new things about it. For example. I first read Lolita for a class on aestheticism. At the time, I couldn't see very well how it fit with the idea of aestheticism, except for a few tacky rhapsodies about the eponymous character. But listening to the silky voice of Jeremy Irons as the tortured pervert makes me realize that aestheticism is wound through every strand of his character.
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A propos of that, I also like the audio book version because it puts the listener in a different relation to Humbert than a reader would have. As a reader, you read Humbert's "I" in your own voice, and in a way it has to be your "I". But when you listen the narrative read out loud, Humbert's "I" takes on a distinct character of its own. You are not forced to identify with Humbert because Humbert is outside of you. Somehow, that makes him more sympathetic rather than less. (Probably Nabokov would not approve!) What really makes him more sympathetic is the superb vocal range of the reader. Again, all I can say is--wow. Maybe paying money for audio books is worthwhile after all, if they're going to be this good. (This one's a loan from Colin's colleague AE.)
Okay, I'll stop now lest you start to think I'm writing some kind of Reading Lolita in Beijing. (Actually a mildly interesting idea, but I'd not be the one to do it.)
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2 comments:
I think it is fitting to their name that Queequeg spends his time gregariously basking, while Yojo stays hidden and cryptic.
Yes, I thought so too. To be honest, I can only tell them apart by their behavior at all, so that is how I named them. For all I know, they take turns being Queequeg. But I doubt it. I think they (barely) have enough brains to develop individual "personalities." One is a wise and cryptic lurker, one is a reckless and winning basker.
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